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Regional Reviews: Phoenix Phantom Also see Gil's review of Wicked
The story follows Erik, a brilliant but disfigured man who has spent his life hidden far beneath the Paris Opera House. When he discovers Christine Daaé, a young singer with an extraordinary voice, he becomes her mysterious mentor, guiding her talent from the shadows while wearing a mask to hide his hideous face. However, the manipulative and power-hungry diva Carlotta, along with one of the Opera House's major patrons, Count Phillippe de Chandon, pose obstacles to Christine's success and Erik's relationship with her. Also, Gerard Carrière, the former Opera House manager, harbors a secret about his past that brings an additional emotional depth to the story. As Erik's love for Christine grows, so does the tension between his dreams, his reality, and the world's inability to accept him. What sets Phantom apart from the other more famous stage adaptation (with music from Lloyd Webber, lyrics by Charles Hart and Richard Stilgoe, and a book by Lloyd Webber and Stilgoe) is its focus on character development and emotional depth. Maury Yeston's score is sweeping and melodic, with songs that allow for greater introspection from the Phantom, Christine, and Carrière. The book by Kopit may take several liberties in relation to Leroux's original work, as does the Lloyd Webber version, but in doing so it emphasizes the Phantom's struggle for acceptance and the tragedy of his situation rather than only being a gothic romantic thriller shrouded in spectacle. Instead of leaning into a dark, horror-tinged approach, this version provides a deeply human and poignant look at Erik's life, making his story quite heartbreaking. However, Phantom is also a bit drawn out, with a lot of dialogue, some of which is repetitive in nature. Also, since it lacks the gothic horror of the Andrew Lloyd Webber version, it's a lighter show with more comic moments. Fortunately, there are still a few thrilling sequences as well as several that stir emotions. Under Kiel Klaphake's distinct direction, the entire cast shines with powerful performances infused with emotion. Jamie Parnell delivers a breathtaking portrayal of Erik, balancing the Phantom's genius and torment with an aching vulnerability. His powerful voice soars in numbers like "Where in the World" and "You Are Music," and his chemistry with Sophia Masterson, who plays Christine, is both tender and touching. Masterson is radiant as Christine, bringing warmth, innocence, and strength to the role. Her soaring soprano voice is showcased beautifully in songs like "Home" and "My True Love." James A. Rio's Gerard Carrière adds a layer of tenderness and mystery as he reveals moments from his past. His duet with Parnell, "You Are My Own," is particularly moving. Ivana Martinic's Carlotta is delightfully over-the-top, exuding arrogance and comedic flair while also making the character a formidable obstacle for Christine; her solo "This Place is Mine" is a comic delight and her animated facial expressions when she hears Christine sing for the first time are hilarious. Henry Thrasher is a charming and noble Phillippe, bringing a romantic counterbalance to Erik's brooding presence, and the entire ensemble does a wonderful job. The production's creative elements are equally impressive, with Nate Bertone's immersive set and the three-dimensional projection designs from Chris Ignacio that transforms the stage into the haunting yet beautiful world of the Paris Opera House. The clever combination of Jaron Hermanson's impressive lighting and the set and projections enhance the Phantom's underground lair, the grandeur of Paris, and the opera stage, creating an assortment of visually stunning and constantly changing stage images. The rich period costumes from Morgan Andersen and the wig designs by Chris Zizzo further transport audiences into this romantic and dramatic world. Kurtis Overby's choreography is a lovely balance of operatic ballets and tightly danced ensemble numbers. The music direction by Mark Foreman delivers rich and lush vocals from the cast and a lovely and rich sound from the small orchestra. With its emotionally charged performances, evocative score, and striking visuals, Phantom is an engaging theatrical experience. This production proves that Yeston and Kopit's take on the story is a compelling alternative to the more famous Lloyd Webber musical, offering a fresh perspective on one of literature's most enduring and intriguing characters. Fans of classic musical theater, classic literature, and powerful storytelling will find much to love in Arizona Broadway Theatre's well cast and beautifully realized production. Phantom runs through April 10, 2025, at Arizona Broadway Theatre, 7701 West Paradise Lane, Peoria AZ. For tickets and information, please visit www.azbroadway.org or call 623-776-8400. Director: Kiel Klaphake Cast: |
