Past Reviews

Regional Reviews: Albuquerque/Santa Fe

Shirley Valentine
West End Productions
Review by Rob Spiegel

Also see Carole's review of Waiting for Godot


Jessica Osbourne
Photo by Broken Chain Photography
Shirley Valentine is having a rough time. As the play opens, she's making chips and eggs for her husband probably for the 10,000th time, and the repetition has become soul-killing. Her working-class Liverpool life has become a dead-end. She can't talk to her husband, Joe; whatever kindness he once had has long since calcified. She can't talk to her grown children. So she talks to the wall.

Then comes the insult-turned-invitation. Her best friend Jane wins a trip for two to Greece and asks Shirley to join her. Shirley, worn down by years of routine, can't imagine saying yes. But in a rare spark of rebellion, she leaves Joe a note and heads for Greece. What follows is an absolute rebirth. Apparently, reinvention is possible at any age. The play becomes a clarion call to anyone trapped in a life that feels hopeless and small.

Willy Russell's 1986 one-woman play, Shirley Valentine, began in his Liverpool home before quickly moving to the West End and Broadway. With Shirley shifting her confidences from the kitchen wall to the audience, the show demands an actor with stamina, nuance, and emotional transparency. Pauline Collins won a Tony Award for originating the role; Ellen Burstyn later took up the mantle. Loretta Swit of "M*A*S*H" fame took it on the road.

A decade ago, in the inaugural season of West End Productions, founder Colleen Neary McClure directed Jessica Osbourne in Shirley Valentine. Their current reunion is triumphant. Osbourne's performance is seamless, funny, aching, and quietly ferocious. I've admired her work across Albuquerque, onstage and in "Better Call Saul," but this role hits a new high for me.

Maybe it's because the one-woman-play format gives her so much range, so much slow build, or maybe it's because the material is so compelling. While this is very much a woman's play, I was certainly knocked over by it, having myself suffered through a few years of a hopeless marriage. But Osbourne's butterfly just explodes out of her endless cocoon.

Neary McClure's direction is steady and generous, shaping a production that lifts Osbourne. The creative team includes Kelly Hughes (stage manager), Ryan Jason Cook (set design, build, and general set painting), Dean Squibb (painted the seascape), Rhonda Backinoff (costumes), Riley Lewis (lights), and Neary McClure (props and dressing). The team crafts an environment that supports the performance with precision and restraint.

I've enjoyed many plays by West End Productions. They've all been strong, but I've got a new favorite in Shirley Valentine.

Shirley Valentine, produced by West End Productions, runs through June 14, 2026, at North 4th Theatre, 904 4th St NW, Albuquerque NM. Performances are on Friday and Saturday at 7:30 pm and Sunday at 2:00 pm. General admission for reserved tickets is $24. Students pay $22. At-the-door pricing is $26 and $24. For tickets and information, please visit www.westendproductions.org