Tim Crofton, right Jeremy Zenor Photo by Broken Chain Photography

Waiting for Godotis Samuel Beckett's best-known play. Widely regarded as one of the most influential authors of the 20th century, he was awarded the Nobel Prize for Literature in 1969. He is considered a major writer of "theatre of the absurd."

This was the first play presented by the fledging Vortex Theatre in 1976. It was presented again in 1991 and 2006 and now in 2026 in celebration of Vortex's 50th anniversary. Artists associated with earlier productions, including David Richard Jones and the late Paul Ford, were mentors and influencers of Ms. Albonico. "This is the first time it's been done by someone who's not David Jones, so it's like a new era for the theatre as we're moving into a new generation and looking forward to the next 50 years," says Albonico. Waiting for Godot is an ideal selection for the anniversary; the circle of artistic life goes on.

There may be a trend in Albuquerque productions. When the set design seems to be organic to the show, it is often designed by the director. This was certainly true of James Cady's Who's Afraid of Virginia Woolf. I suspect that it is because there are few professional set designers available in town. The set designer for Waiting for Godot is director Albonico, who delivers a simple and very workable set for the action, as she did for her Vortex production of Metamorphoses last season. She also designed the sound which is evocative and never jarring. Costumes by Christy Lopez are perfect for everyone and lighting by Riley Lewis is outstanding, as always. On a personal note, too many theatrical creatives are stretched quite thin designing all over town. Apprentice opportunities for creatives would greatly strengthen the Albuquerque theatre community.

The actors for this production are all remarkable and professional. Emiliano Aguilar brings great dignity to the part of the boy, and Jeremy Zenor, making his Albuquerque theatre debut as Lucky, is physically powerful. The three veteran performers, Tim Crofton as Pozzo, Jeff Dolecek as Estragon, and Parker Owen as Vladimir, present nuanced performances that include a wide range of emotions. Jeff Dolecek is particularly impressive with his forgetfulness. Each time it seems new.

Waiting for Godot is often an existential, depressive experience. This production, although appropriately bleak, has moments of optimism and glimmers of hope. The comedic moments are played, but they do not hijack the play. It is very balanced production.

Overall, this is a very enjoyable and accessible presentation of an important contemporary dramatic work. Don't miss your chance to see this stellar play.

Waiting for Godot runs through June 21, 2026, at The Vortex Theatre, 2900 Carlisle Blvd. NE, Albuquerque NM. Performances are Fridays and Saturdays at 7:30 pm., and Sundays at 2:00 pm. General Admission tickets are $26.00, Discounted tickets are $21.00. For tickets and information, please visit www.vortexabq.org or call 505-247-8600.

Directed by Laureen Albonico. Set and Sound Design by Laureen Albonico. Lighting Design by Riley Lewis. Costume and Properties Design by Christy Lopez. Assistant Director Versai Knight. Stage Manager Kayleigh Tolley.

The Cast: Emiliano Aguilar, Jeff Dolecek, Tim Crofton, Parker Owen, Jeremy Zenor.