Past Reviews

Regional Reviews: Washington, D.C.

Sister Act
Ford's Theatre
Review by Susan Berlin | Season Schedule


Nia Savoy-Dock and Cast
Photo by Scott Suchman
Sometimes an audience just wants to watch a talented group of singing, dancing actors in a story that no one takes too seriously (except the people onstage). That's the joy of Sister Act, the musical now in Washington at Ford's Theatre, which considers what happens when a brassy aspiring disco diva has witnessed a murder and the only safe place she can hide is inside a convent.

Director and choreographer Jeff Calhoun and his designers and cast have taken this silly premise and made it sparkle. The story began its life in 1992 as a non-musical movie starring Whoopi Goldberg, while the musical adaptation by Alan Menken (music), Glenn Slater (lyrics), Cheri Steinkellner and Bill Steinkellner (book) premiered in Los Angeles in 2006, opened in London in 2009, and subsequently ran on Broadway, with Douglas Carter Beane's book revisions, for more than a year.

Scenic designer Paige Hathaway has created a clever set that, with minimal changes, begins as the glitzy Philadelphia nightclub where Deloris Van Cartier (Nia Savoy-Dock) auditions for its mob-connected owner, Curtis Jackson (Derrick D. Truby Jr.), and transforms itself into the convent where Deloris, temporarily renamed "Sister Mary Clarence," goes undercover. She has found a way of making sequined curtains harmonize with elements of Gothic architecture.

Savoy-Dock gives a full-out and appealing performance as Deloris realizes that her bravado is not going to keep her alive without other people's help, and her feeling of purpose when the Mother Superior (Sherri L. Edelen) puts her in charge of overhauling the convent's rather pitiful choir. Edelen, a past recipient of two Helen Hayes Awards, offers a well-calibrated performance that allows her character to vent her frustrations without sacrificing her dignity.

On the other hand, the more broadly drawn characters are a delight. Truby and his crew (Jimmy Mavrikes, Trenton McKenzie Beavers, and Dylan Arredondo) express their less socially acceptable feelings through songs with riotous lyrics and Calhoun's choreography, by turns threatening and inappropriately suggestive. Joe Mallon wins the audience's hearts as a sad sack police officer who has loved Deloris since they were in high school.

Max Doolittle's lighting designs use color to set the mood, most notably in a scene in which the supposed nun makes an unsanctioned escape to the outside. Costume designer Ivania Stack has fun with the 1970s fashions, including a three-piece, rust-colored leisure suit for Truby and Savoy-Dock's attention-grabbing looks, while creating a suitably ecclesiastical look for the nuns and Monsignor O'Hara (Lawrence Redmond).

Music director William Yanesh and his seven musicians provide a full orchestral sound from their "pit" in front of the stage.

Sister Act runs through May 17, 2025, at Ford's Theatre, 511 Tenth St. NW, Washington DC. For tickets and information, please call 202-347-4833 or visit fords.org.

Music by Alan Menken
Lyrics by Glenn Slater
Book by Cheri Steinkellner and Bill Steinkellner
Additional book materials by Douglas Carter Beane
Based on the Touchstone Pictures motion picture "Sister Act" written by Joseph Howard
Director and choreographer: Jeff Calhoun
Music director: William Yanesh

Cast:
Pablo: Dylan Arredondo
TJ: Trenton McKenzie Beavers
Sister Mary Patrick: Caitlin Brooke
Michelle: Simone Brown
Sister Mary Martin of Tours: Sarah Corey
Tina: Kecia Deroly
Mother Superior: Sherri L. Edelen
Nun: Ayanna Hardy
Eddie Souther: Joe Mallon
Joey: Jimmy Mavrikes
Sister Mary Lazarus: Debbie Mobley
Nun: Justine "Icy" Moral
Monsignor O'Hara: Lawrence Redmond
Deloris Van Cartier: Nia Savoy-Dock
Ernie: Ryan Sellers
Curtis Jackson: Derrick D. Truby Jr.
Sister Mary Theresa: Karen Vincent
Sister Mary Robert: Kanysha Williams
Swings: Lauren Davis, Troy Hopper, Christopher Mueller, SumiƩ Yotsukura