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Regional Reviews: Washington, D.C. The Score Also see Susan's review of Ma Rainey's Black Bottom
Director Trevor Nunn lays out the story and characters at an easy pace that allows viewers to keep track of who's who in 18th-century Prussia. Outwardly, Frederick (Stephen Hagan) wears his authority lightly, leaving the rougher parts of governing to others. For example, during Bach's absence from Leipzig to visit the Prussian court, Frederick's troops are forcing Bach's wife Anna Magdalena (Nicole Ansari-Cox) to billet soldiers in the family home. Behind all the etiquette is Frederick trying both to demonstrate his own quality as a musician (this is historically accurate) and to prove himself a powerful political leader. He has a competitive streak, calling in three of his court composers (Matthew Romain, Christopher Staines, and Toby Webster) before the visit to create a melody so difficult that Bach would not be able to use it as the basis for a fugue. Interestingly, Bach's son Carl (Jamie Wilkes) is also then serving at the Prussian court. Cox is the rock on which the production stands, while Hagan amuses and captivates with his waspish wit and Peter De Jersey shines as another notable guest, Voltaire. The entire cast of 14 works together to enhance the splendor of Frederick's court. Part of the charm of this production is in its sumptuous staging. The Harman Hall stage is wide and deep enough to bring out the details in Robert Jones' set and costume designs, complemented by Johanna Town's lighting design and sound design and additional composition by Sophie Cotton. Rather than additional musicians, cast members provide the rich orchestral accompaniment throughout. The Score runs through October 25, 2026, at Shakespeare Theatre Company, Harman Hall, 610 F St. NW, Washington DC. For tickets and information, please call 202-547-1122 or 877-487-8849 or visit www.shakespearetheatre.org. By Oliver Cotton Cast: |
