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Regional Reviews: Phoenix Jane Anger Also see Gil's review of Beau Jest
Set in a fictionalized version of Elizabethan England, the plot follows Jane as she breaks into Shakespeare's lodgings, where he has been quarantined with his apprentice Francis Sir due to the plague. Jane attempts to persuade Shakespeare to sign off on her pamphlet, "Jane Anger Her Protection for Women," so she can get it published, something unthinkable at the time for a woman writer. She negotiates a deal that if she helps Shakespeare get over his writer's block so he can finish King Lear, he'll provide his signature on the document. But everything doesn't exactly go according to plan. The play brings up weighty themes that touch upon gender roles, collaboration, credit, and the ways women have been sidelined in both history and art, while also celebrating the power of storytelling and publishing one's views as a means of resistance. The dialogue blends historical language and modern attitudes and phrases, adding to its comical charm. While the premise is intriguing, the ideas Monahan brings up sometimes feel underdeveloped and the play's structure occasionally feels more like a series of clever exchanges that escalate into comical hijinks rather than a fully developed dramatic exploration of the themes it brings up. On one hand, it's a good thing that Monahan doesn't turn the piece into a lecture, which could turn people off. On the other hand, it does not always explore the interesting questions it raises in a sustained or satisfying way. At times, the play seems more focused on witty banter and buffoon comical moments than on fully unpacking the implications of its arguments, which can leave the thematic content feeling shortchanged. Fortunately, the performances help keep the material engaging. Jane Anger is portrayed with confidence, intelligence, and a whole lot of fire by Cynn Agent, who brings a welcome sense of urgency, power, and emotional grounding to the role. Johnny Kalita portrays William Shakespeare as an appealing mix of conceitedness and charm along with a big dose of self importance, which captures Shakespeare's brilliance while also showing his shortcomings. CJ Mascarelli's sharp comic timing and excellent vocal affections and humorous gestures get big laughs in his performance as Francis Sir, while Emily Mohney offers many moments of quiet strength and insight in her lovely portrayal of Anne Hathaway. Chanel Bragg's direction maintains a steady pace and allows the humor to land quite well while also letting the emotion and heart of the piece breathe. The set design by JP Clemente and Mark Clemente is simple yet functional, and Bragg's costumes effectively combine elements of the Elizabethan era with subtle modern touches, reinforcing the play's connection with the present and the past without overwhelming the action. Jane Anger is a successful comedy that offers clever dialogue, but it stops short of fully realizing its thematic potential. While the play raises important questions, and it's full of wit, warmth, and a sense of purpose, they are not always given the depth or focus needed to leave a lasting impression. Fortunately, with solid performances and crisp direction, Order Chaos Theater's production is entertaining, thoughtful at times, and very funny. Jane Anger runs through February 1, 2026, at Order Chaos Theater Company, Herberger Theater Center, 222 East Monroe Street, Phoenix AZ. For tickets and information, please visit www.orderchaostheater.org Director: Chanel Bragg Cast: |
