|
Regional Reviews: Phoenix 42nd Street Also see Gil's reviews of A Beautiful Noise, Chicago: Teen Edition and A Night on Broadway with Norm Lewis and Laura Benanti
Based on the 1933 film of the same name, and with a book by Michael Stewart Mark Bramble, 42nd Street holds an important place in musical theatre history. When it premiered on Broadway in 1980, it was among the first major successes to be adapted from a Hollywood musical, helping to pave the way for countless film to stage adaptations that followed. The score, with music by Harry Warren and lyrics by Al Dubin and Johnny Mercer, features such classic songs as "I Only Have Eyes for You," "We're in the Money," "Lullaby of Broadway," "Shuffle off to Buffalo," and the title song. The plot follows the quintessential show business fairy tale of Peggy Sawyer, a young woman from Allentown, Pennsylvania who arrives in New York City hoping to make it big on Broadway. She lands a spot in the chorus of a new musical, Pretty Lady, being mounted by the tough and demanding director Julian Marsh. As rehearsals progress, tensions rise among the cast, particularly with the show's temperamental star, Dorothy Brock, whose career and personal life are both on shaky ground. Peggy's journey embodies the ultimate Broadway dream, and Elyssa Blonder brings warmth, spunk, and impressive dancing skills to the role, making Peggy's rise feel both exciting and well earned. Julian Marsh, the gruff but brilliant director, is portrayed by Kiel Klaphake with commanding authority and just enough vulnerability to humanize his tough exterior although Klaphake's winning charm and warm smile often threaten Marsh's harsh tones. As temperamental star Dorothy Brock, Renee Koher delivers both glamour, comic bite and some erratic behavior, especially as her insecurities clash with her diva persona. Blonder and Koher have powerful singing voices that shine throughout, and Klaphake's rich voice is put to good use on "Lullaby of Broadway." As the show within a show's male lead, Billy Lawlor, Charles Pelletier provides charm in abundance and romantic appeal, while Lynzee Foreman and Ian Federgreen steal scenes as seasoned vaudevillians Maggie Jones and Bert Barry. The large ensemble cast are great as an assortment of characters and all have impressive dance skills, especially Robert Ouellette as Marsh's dance captain. The direction by Danny Gorman embraces the nostalgic tone of the piece, leaning into the heightened, melodramatic performance style that mirrors classic Hollywood musical films. This stylistic choice, while it may border on caricature at times, allows the production to feel like a real movie musical, complete with big personalities and even bigger musical sequences. Kurtis Overby's choreography is spectacular, with tap numbers that are crisp, joyful, and impressively synchronized. The entire cast dances with precision and energy, creating a sense of joy that elevates every musical number. The lovely creative elements transport the audience back to the golden age of Broadway. The combination of Ryan Howell's set design and the media design by Chris Ignacio is particularly effective, whisking us from backstage rehearsals to the streets of New York City and the bright lights of opening night. Period-inspired costumes by Morgan Anderson also help the production capture the look and feel of 1930s New York with style and flair. The 12-piece orchestra under Steve Hilderbrand's confident music direction deliver a warm and rich sound throughout. 42nd Street at Arizona Broadway Theatre succeeds because it understands exactly what it is and delivers it with confidence while honoring the legacy of a beloved musical. The musical also has a wonderful message that still resonates: hard work, perseverance, and a little bit of luck can lead to spectacular success. 42nd Street runs through February 27, 2026, at Arizona Broadway Theatre, 7701 West Paradise Lane, Peoria AZ. For tickets and information, please visit www.azbroadway.org or call 623-776-8400. Director: Danny Gorman Cast: (in order of appearance): |
