Past Reviews

Regional Reviews: Phoenix

Disney's The Little Mermaid
Hale Centre Theatre
Review by Gil Benbrook


The Cast
Photo by Nick Woodward-Shaw
The songwriting team of Alan Menken (music) and Howard Ashman (lyrics) burst onto the scene in 1986 with their Off-Broadway smash Little Shop of Horrors and found even greater success with the hit 1989 Walt Disney animated film, The Little Mermaid. The duo would win Oscars for that film as well as their follow-up, the even more popular Beauty and the Beast. When Disney decided to set their sights on Broadway, it only seemed natural they'd adapt their animated film hits for the stage. While Beauty and the Beast and The Lion King were instant Broadway hits, The Little Mermaid didn't fare as well, with a short Broadway run of less than two years. However, The Little Mermaid still makes for a humorous and charming family-friendly show and, with a fantastic cast and sublime creative elements, Hale Centre Theatre's production is excellent.

Based on Hans Christian Andersen's classic fairy tale, The Little Mermaid follows Ariel, a mermaid who dreams of living in the human world after rescuing and falling in love with Prince Eric. Despite the warning from her father, King Triton, that humans are responsible for her mother's death and are forbidden, Ariel makes a dangerous deal with her aunt, the sea witch Ursula, to become human. Ariel has three days to earn Eric's kiss of true love or her soul will belong to Ursula, who is secretly seeking revenge against Triton.

The musical features all of the beloved songs from the film along with several new numbers (lyrics by Glenn Slater) that expand the characters and their motivations, particularly Ursula, Eric, and King Triton. While the new songs add depth, they are mainly ballads, which sound slightly similar to each other. Fortunately, there is the fantastic "If Only (Quartet)" and "She's in Love," which is the only new song that matches the infectious appeal of the movie's classic songs like "Under the Sea" and "Kiss the Girl," both of which become standout production numbers under Cambrian James' sure-footed direction and upbeat choreography. Doug Wright's witty book is a fairly by-the-numbers retelling of the film plot, but it does make good use of the undersea setting and includes some very funny fish-themed puns, though Ursula's demise and the ending feel rushed and may leave those unfamiliar with the film slightly confused.

This is the third time James has directed and choreographed the show at Hale and his sharp direction ensures the comedic and romantic moments in the show shine bright. Hale's creative team pulls out all the stops, delivering a non-stop parade of colorful costumes by Brielle Hawkes, excellent immersive lighting by Avery Reagan that paints the floor and surrounding walls with shimmering light, evoking life under the sea, and a fantasy-filled set by McKenna Carpenter that also includes video projections to help quickly set each location. The cast's vocals are rich and warm under Lincoln Wright's music direction. While every number in the production is delivered wonderfully, "Under the Sea" is simply superb with the combination of the strong cast and the incredibly impressive creative aspects reaching a crescendo in the number, which features fun dance moves, fantastic lighting, and day-glo costumes with bubbling effects that give a fantastic underwater effect.

Hale's cast is great, presenting the famous animated characters they play while also adding fresh original nuances to their portrayals. As Ariel, Brianna McClure projects a perfect balance of youthful inquisitiveness and excitability. Reece Harris oozes charm and boyish exuberance as the very likable Prince Eric. McClure and Harris have rich singing voices that add vibrance to their many numbers and form a realistic duo you root to succeed to overcome their obstacles. Amanda Valenzuela is having a blast playing Ursula, as she injects every line and gesture with devilish glee and her brassy singing voice delivers knockout numbers, including a rousing "Poor Unfortunate Souls."

Trevon Powell is appropriately frustrated as Sebastian, Ariel's crab friend who gets to lead two of the show's biggest hits, "Under the Sea," and "Kiss the Girl," which he delivers with an abundance of joy. As Ariel's father, King Triton, Loren Battieste shows both fatherly love and protection, and his gorgeous singing voice adds depth to his songs, especially his contribution in the "If Only" quartet. Joshua South is wonderful as both the scatterbrained seagull Scuttle and the hilarious Chef Louis; his athletic abilities, great comic timing, and strong dance skills make both characters audience favorites.

Benicio "Beni" Bermudez is endearing, sweet, and charming as Flounder, Ariel's young fish friend, while Logan Holmes and Gavin Kennedy are appropriately slimy as Ursula's two moray eel henchmen, Flotsam and Jetsam, and Justin Howell brings a nice balance of concern and fatherly advice as Eric's guardian, Grimsby. In the ensemble, Gracie Gamble, Evelyn Humphrey, Kayla King, Michala Montaño, Almicke Navarro, and Diana Regard add pops of comedy as Ariel's sisters, and Jiajun Li, Brayden Nesbitt, Truman Regard, Oakley Rinehart, Reegan Regard-Whipple, and Joseph Strode play an assortment of characters with energy and charm. Powell, Battieste, Holmes, Howell, and Montaño all repeat the same roles they played from Hale's 2022 production of the show.

While The Little Mermaid sticks close to the film plot and many of the songs added for the stage adaptation are just okay, it is still a winning, humorous, stage musical. With a fantastic cast, sublime creative elements, and sure-footed direction, Hale Centre Theatre's production is a joyful crowd pleaser.

Disney's The Little Mermaid runs through August 15, 2026, at Hale Centre Theatre, 50 W. Page Avenue, Gilbert AZ. For tickets and information, please visit www.haletheatrearizona.com or call 480-497-1181.

Music by Alan Menken
Lyrics by Howard Ashman & Glenn Slater
Book by Doug Wright
Producers & Casting Directors: David & Corrin Dietlein
Director & Choreographer: Cambrian James
Music Director: Lincoln Wright
Costume Designer / Shop Manager: Brielle Hawkes
Costume Stitchers & Wardrobe: Molly Hill, Toni Smith & Shane Yearneau
Lighting Designer: Avery Reagan
Sound Designer/Audio Engineer: Adam Chagnon
A2 (Audio Assistant): Troy Sherk
Head of Scenic Design/Props Master: McKenna Carpenter
Props Assistant & Scenic Artist: Liz De La Torre
Scenic Artist: MaKayla Erickson
Paint Charge Artist: Brittany Arwine
Set Carpenter: Dan Rodriguez
Master Carpenter: Tom Boardman
Set Electrician: Dylan Auer
Shop Assistant: Collin Caulifield and Dylan Auer
Wigs & Makeup: Cambrian James
Vocal Captain: Michala Montaño
Dance Captain: Diana Regard
Head Stage Manager: Kelly Slader
Resident Stage Manager: Laurel Franczek
Assistant Stage Managers: Abby Hawel and Ashley VanHouten
Child Wrangler: Grace Howard
Productions Assistant: Lillian Quaranta
Business Manager & Hale Bookkeeper: Britney Carpenter

Cast:
Ariel: Brianna McClure
Prince Eric: Reece Harris
Flounder: Benicio "Beni" Bermudez
Sebastian: Trevon Powell
Scuttle/Chef Louis: Joshua South
Grimsby: Justin Howell
Ursula: Amanda Valenzuela
King Triton: Loren Battieste
Flotsam: Logan Holmes
Jetsam: Gavin Kennedy
Ensemble: Gracie Gamble, Evelyn Humphrey, Kayla King, Michala Montaño, Almicke Navarro, Diana Regard, Jiajun Li, Brayden Nesbitt, Truman Regard, Oakley Rinehart, Reegan Regard-Whipple, Joseph Strode