Past Reviews

Regional Reviews: Phoenix

The Crucible
Actors PLAYground Theater Company
Review by Gil Benbrook

Also see Gil's review of Jekyll & Hyde


Anora Biggs and Brian Fleisch
Photo courtesy of Actors PLAYground Theater Company
Arthur Miller's The Crucible remains one of the most powerful dramatic depictions of fear, hysteria, and the dangerous consequences of allowing accusations to replace evidence. Though written more than 70 years ago, Miller's excellent play still feels remarkably relevant today, when anxiety, misinformation, and the rush to condemn others can spread with alarming speed. With a fantastic cast and precise direction, Actors PLAYground Theater Company's production captures the play's intensity while reminding us why Miller's chilling warning continues to resonate.

Set in Salem, Massachusetts in 1692, the play follows a group of teenage girls who, after being caught dancing in the woods with the slave Tituba, need an explanation for their actions. The ringleader of the girls, Abigail Williams, realizes that accusations of witchcraft can help them escape punishment while also taking revenge on those who have wronged her, so she and the other girls begin accusing their neighbors of being possessed. Caught up in the growing accusations is John Proctor, a farmer who once had an affair with Abigail. Longstanding grudges and personal conflicts only intensify the hysteria, making it easier for neighbor to turn against neighbor. As the accusations spread, Abigail uses her newfound influence to target anyone who stands in her way, including Elizabeth Proctor, whom she hopes to eliminate because she still harbors feelings for John. As respected members of the community are imprisoned and sentenced to death, Proctor struggles to expose the deception and preserve his integrity.

Miller wrote The Crucible in 1953, using the Salem witch trials as an allegory for the anti-Communist hysteria of the McCarthy era, when accusations of Communist sympathies could entirely destroy careers and reputations. However, the play's themes extend far beyond that particular period. It examines the abuse of power, the dangers of mass hysteria, the conflict between individual conscience and societal pressure, and the devastating consequences that occur when people become more concerned with protecting themselves than discovering the truth.

Amber Ryan's direction handles the play's dramatic tension exceptionally well, building steadily toward the explosive confrontations and chilling moments when the girls claim to be possessed. Those scenes are staged with perfect results, making their increasingly elaborate accusations both disturbing and compelling. The cast, ranging from teenagers to adults, does a wonderful job bringing these characters to life and creating a believable community caught up in the grip of fear. Period costumes further establish the setting, while the simple but effective set elements and props and Bob Nelson's eerie lighting provide an appropriately grim backdrop for the unfolding tragedy.

At the center of the drama is John Proctor, a flawed but fundamentally principled man whose past mistakes become increasingly important as the accusations threaten his family. Brian Fleisch portrays Proctor effectively, conveying the character's anger, guilt, frustration, and ultimately his determination to stand by his principles. Opposite him, as Abigail, Anora Biggs brings the right combination of youthful vulnerability and calculating manipulation to a character whose ability to control the situation becomes increasingly frightening.

The large supporting cast add considerable depth to the production with performances that are distinctive and believable. Elizabeth Proctor is played by Kate Donick with quiet strength and emotional restraint, which makes Elizabeth's complicated relationship with her husband especially affecting. Nathan Persons and Jeremy Wigley portray Reverend Hale and Reverend Parris, respectively, effectively capturing the differing ways that religious conviction and self-preservation can influence people during a crisis. As Deputy Governor Danforth, the man overseeing the hearings, Peter J. Hart is stern and direct but also level-headed with hints of compassion for those who've been accused, even if he refuses to hear all the evidence in their favor. Kayla Lucero is riveting as Proctor's housekeeper, Mary Warren, and Rachel Weiss is wonderful as an older woman in town, Rebecca Nurse. The rest of the cast deliver distinctive portrayals of the townspeople caught up in the hysteria.

With its strong performances, assured direction, effective period details, and themes that continue to speak directly to contemporary audiences, Actors PLAYground's production of The Crucible demonstrates why Miller's classic remains such an important piece of American theatre. It is a gripping reminder of how quickly fear can become power, how easily truth can be sacrificed, and how difficult but important it is to stand up for your morals and the truth against a doubting crowd.

The Crucible runs through October 11, 2026, at Actors PLAYground Theater Company, 11340 West Bell Road, Suite 105, Surprise AZ. For tickets and information, please visit www.actorsplayaz.com.

Director: Amber Ryan
Lighting Designer: Bob Nelson
Fight Choreography: Hannah Lee
Speciality Choreography: Shirley Horowitz

Cast: (in order of appearance)
Betty Parris: Emelyn Polvino
Reverend Samuel Parris: Jeremy Wigley
Tituba: Hannah Lee
Abigail Williams: Anora Biggs
Susanna Wallcott: Alice Pressnall
Ann Putnam: Emelia Conteduca
Thomas Putnam: Leonel Lopez
Mercy Lewis: Paris Rayne
Mary Warren: Kayla Lucero
John Proctor: Brian Fleisch
Rebecca Nurse: Rachel Weiss
Giles Corey: Josh Bealmear
Reverend John Hale: Nathan Persons
Elizabeth Proctor: Kate Donick
Francis Nurse: Norman Krinsky
Ezekiel Cheever: Ella McConnell
John Willard: Zane Montague
Judge Hathorne: Jason McConnell
Deputy-Govenor Danforth: Peter J. Hart
Sarah Good/Martha Corey: Aubree Parks
Hopkins: Shirley Horowitz