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Regional Reviews: Phoenix The Mousetrap Also see Gil's reviews of The Barricade Boys: Broadway at the Movies, Cheyenne Jackson's Midlife Torso Tour, Come from Away and 42nd Street
The story unfolds at Monkswell Manor, a newly opened guesthouse run by the eager and slightly overwhelmed newlyweds Mollie and Giles Ralston. After a snowstorm cuts off the manor from the outside world, a group of strangers find themselves trapped together just as news arrives of a murder in London connected to someone who may be among them. When a police sergeant arrives on skis to investigate, suspicion begins to fall on each guest in turn. As secrets are revealed and tensions rise, the characters must confront the unsettling possibility that the killer could be hiding in plain sight and one of them could be the next victim. Performed in the West End since 1952, The Mousetrap is the longest running play in theatre history, a testament to Christie's intricate plotting and universal appeal. Originally written as a radio play titled "Three Blind Mice," the story was later adapted for the stage and quickly became a cultural phenomenon. The famous tradition of asking audiences not to reveal the ending has helped preserve the mystery and adds to the play's legendary status. While Christie's characters are a delightfully eccentric mix and she clearly knows how to build tension as well as include a couple of surprising twists, my only quibble is that the plot includes a few contrived elements that lean into coincidences of how characters just happened to be in the same place at the same time. The cast at Desert Foothills brings the colorful and eccentric characters vividly to life. Mollie Ralston is portrayed with warmth and sincerity by Brooklyn Stetz, capturing both her hospitality and underlying anxiety; Ralston has a piercing scream as well, which comes into great use. As Giles Ralston, Josh Aaron offers an appealing mix of protectiveness and suspicion, reflecting his growing unease as events unfold. The character of Christopher Wren is delightfully eccentric and unpredictable, and William Randles leans into the character's nervous energy and overly theatrical charm. Mrs. Boyle is deliciously stern and judgmental and Shawnie Fesyk provides both biting commentary and tension in the role. Major Metcalf is presented with steady calm and quiet authority by Gordon Digby, while Alexa White, as Miss Casewell, carries an air of mystery and emotional restraint that deepens as the story progresses. As Mr. Paravicini, James Rowe offers theatrical flair and mystery, and Chris Fletcher anchors the investigation with determination and urgency as Sergeant Trotter. Ric Alpers' direction carefully balances suspense with moments of levity, ensuring that the pacing keeps the audience engaged while allowing key revelations to land effectively. The set design by Alpers and Andrew Cupo is simple but highly effective, capturing the cozy yet claustrophobic feel of a snowbound English manor. Cupo's lighting works well to depict the times of day in the piece as well as the suspenseful moods. Period costumes by Heather Riddle further ground the production in its era, adding authenticity without distracting from the performances. Sandi Carll's effective sound design adds an authentic feel with period music and immersive radio broadcasts. The accent work by the entire cast is also quite good. Desert Foothills' production of The Mousetrap serves as a strong reminder of why the play has endured for generations. With compelling performances, thoughtful direction, and Christie's intricately crafted mystery at its core, the production delivers a thoroughly enjoyable evening of classic theatrical suspense. Even in an era saturated with crime dramas and psychological thrillers, Christie's classic retains its ability to surprise and engage. Just don't give away the ending! Desert Foothills Theater's The Mousetrap runs through February 8, 2026, at the Cactus Shadows Fine Art Center, 33606 N. 60th Street, Scottsdale AZ. For tickets and information, please visit www.dftheater.org or call 480-488-1981. Directed by Ric Alpers Cast: |
